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How To Sell Drugs Online (Fast) Cover Reference

How To Sell Drugs Online (Fast) – Netflix series cover illustration draft 1 How To Sell Drugs Online (Fast) – Netflix series cover illustration draft 2

I was asked to create a drawn cover reference for the German coming-of-age series “How To Sell Drugs Online (Fast)” produced by bildundtonfabrik for Netflix. From serveral drafts the “Two-Face” reference was used to create the final cover image (execution by Netflix).

All logos, image contents, characters and symbols © 2019 by Netflix and bildundtonfabrik. Positively no use without permission by the rights holder. All rights reserved. Source code used in the background by Tor Project.


How To Sell Drugs Online (Fast) – Netflix series cover illustration scribbles

How To Sell Drugs Online (Fast) – Netflix series cover scribbles


Digital Disobedience

On the Duty of Digital Disobedience Illustration – Header Illustration On the Duty of Digital Disobedience Illustration – Intro

But to whom does your data belong? You?

This free project shows only a few aspects of government and commercial (mass) surveillance. Partially hidden, partially obvious.

The central character is emblematic of the zeitgeisty behavior to eagerly share personal data in social networks (as I do right at the moment), thus make the data also available to a number of companies, health maintenance organizations and authorities as well as criminals.

The title and the essence are shamelessly adapted from H. D. Thoreau’s essay.

*(“Data is the raw material of the 21st century” – Federal Chancellor Angela Merkel, Davos, 2018 → full-length speech)

On the Duty of Digital Disobedience Illustration – Character Design Jogger On the Duty of Digital Disobedience Illustration – Character Design Jogger Process On the Duty of Digital Disobedience Illustration – Character Design Dog On the Duty of Digital Disobedience Illustration – Character Design Dog Process On the Duty of Digital Disobedience Illustration – Typography and Hand Lettering Details On the Duty of Digital Disobedience Illustration – Illustration Details On the Duty of Digital Disobedience Illustration  – Hand Lettering Process On the Duty of Digital Disobedience Illustration – Data Detox Challenge Badge On the Duty of Digital Disobedience Illustration – Photoshop Tools and Brushes On the Duty of Digital Disobedience Illustration – Illustration Process On the Duty of Digital Disobedience Illustration – Final Illustration On the Duty of Digital Disobedience Illustration – Hand Lettering On the Duty of Digital Disobedience Illustration – Thanks for Watching

A Whale Tale

Plastics are omnipresent. And plastic garbage in the oceans (and plastic pollution in general) is one of the greatest man made problem of our time. Marine animals eat plastics, humans consume plastics. Some organisms adapted themselves to the new condition and found a new habitat. But most of the effects on the environment are unambiguously negative.

With “A Whale Tale” (pun intended) I want to address this topic in a critical and ironic way. For this I used plastic bags as an esthetically stylistic device. The fact that I needed a relatively huge amount of plastics to finish a digital (!) illustration is both interesting and a bit scary. The computer mouse, the monitor, some of the inner workings of the computer (except the case which is made of steel), the graphic tablet including the pen and the keyboard – all these things comprise plastics. But hey, my coffee mug is made out of steel and porcelain enamel (the manufacturing process not in mind).

Yes, I also produce garbage. No, I don’t have a solution. I just try to make my small contribution by giving up the use of plastic bags at the grocery store where it is possible, by leaving some packaging directly there and by carrying at least one handful of garbage (mostly plastics) to the next trash can after each surf session in my vacation. Every little piece counts.

Comments, critics and discussions are always welcome.

Thanks for watching!

Poster Mockup by GraphicBurger

A Whale Tale Poster Mockup Variant 1

A Whale Tale Poster Mockup Variant 1

A Whale Tale Poster Mockup Variant 2

A Whale Tale Poster Mockup Variant 2

A Whale Tale Poster Variant 3

A Whale Tale Poster Variant 3

A whale tale illustration process step 1 A whale tale illustration process step 2
A whale tale illustration process step 3

Illustration Process

A whale tale illustration details

Illustration Details

A Whale Tale Poster Final Illustration

A Whale Tale – Final Illustration (b/w)

A Whale Tale Poster Final Illustration

A Whale Tale – Final Illustration (color)

A Whale Tale Poster Variants

Poster Variants

Thanks for watching

My Name Is Earl

My Name Is Earl Logo illustrated by BálooieMy Name Is Earl Poster Illustration Jason Lee by BálooieMy Name Is Earl Jason Lee Illustration DetailsMy Name Is Earl Jason Lee Illustration Process 1My Name Is Earl Jason Lee Illustration Process 2My Name Is Earl Jason Lee Illustration Process 3My Name Is Earl Jason Lee Illustration Process 4My Name Is Earl Jason Lee Illustration Process 5My Name Is Earl Jason Lee Illustration Character Design color and black and whiteMy Name Is Earl Jason Lee Illustration full colored character designMy Name Is Earl Jason Lee Illustration full grayscale character designMy Name Is Earl logo thanks for watching

My intention to realize this personal work was simple – I just love this sitcom series created by Greg García. I enjoy the characters, the story, the cast, the entire setting and the gags, and of course that funny thing called karma. Fellow fans know that the show has been cancelled (in 2009) and left us unsatisfied with a cliffhanger. I’m still waiting for a final final season or at least a closing episode. No, I won’t lose hope, dear guys at 20th Century Fox!

As he is the title character I decided to realize Jason Lee who starred as Earl Jehoshaphat Hickey first. The ongoing project serves as both a digital painting practice and the acquirement of new techniques to me. I’m planning to illustrate more characters over the next months with no rush. The motel background will always stay the same but with varying details like the current goofs you can see (the boom operator’s microphone or that strange cable).

Because I’m also a huge fan of the work of Kevin Smith I wish he would write and direct the final season/episode. The reference to him and his View Askew Productions is just a broad hint.

Credits:
All characters and logos © 2005–2009 Twentieth Century Fox Film Corporation. AC/DC logo © by AC/DC.
I painted the logo and the credits based on the original fonts used in the sitcom series (except Adelle).

My Name Is Earl logo font: Compacta™ by Fred Lambert
Credits font: Kaela by Harold Lohner
Additional font: Adelle by TypeTogether


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